The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background… Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won’t be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war?

CI Shivakumar,a brash police officer, handles a lot of missing cases which has caused great strain on his marriage life. After a serious accident,Shiva admits his wife Aparna and daughter Lucky in hospital, only to find them missing next day. Will Shiva solve the mystery despite suffering from a serious medical condition?

Local police officer Sergeant PJ Collins is a gentle man who hides from people and fills his days with comfort food and half-hearted police work. He is one of life’s outsiders, lovable, but lonely and a bit rubbish at his job. When the body of long-lost local legend Tommy Burke is discovered, PJ is called to solve a serious crime for the first time in his career. Unearthing long buried secrets, PJ finally connects with the village he has tried so hard to avoid.

A fledgling lawyer at the CIA that becomes enmeshed in dangerous international power politics when a former asset threatens to expose the nature of her long-term relationship with the agency unless they exonerate her of a serious crime.

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

A city haunted by a bloody past has led to the emergence of some serious police brutality. As bodies pile up, two detectives seek to stop a demonic force that is terrorizing the neighborhood.

The film revolves around a crack squad of female police officers who have to deal with harassment and a lack of respect from their male colleagues, personal issues as well as some serious criminals.

The united town of sheep and wolves lives a peaceful and quiet life until two unexpected guests turn up – a polar fox and a tiny ewe. No one ever expected them to bring a deadly danger, which can be overcome only if they work together. Only teamwork can solve big problems and deal with serious challenges – as there is strength in unity.

While investigating a young nun’s rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a “sure thing” race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.

When a pint-sized 8-year-old kid witnesses a murder he offers to help the police, if they make him a cop, too. Saddled with this streetwise sidekick, a hardboiled cop is forced to take his new partner seriously as they race the clock to bring the bad guys to justice.

Víctor is a child who is found casually roaming by a country road. His mother, Patricia, a well-known lawyer specialist in media trails, realizes about it and she goes to the hospital, where explains to the police that Víctor is deaf, and he’s unable to talk, speaking using sign language. In the police headquarter Víctor explains that he was kidnapped by a strange man when we was entering to the school. The police identifies a possible suspect named Charlie, a man with money troubles and an 8-months pregnant wife who can’t explain where he was when Víctor was kidnapped from the school. Seeing the inability of the police to arrest Charlie after some failed attempts to meet Víctor, Patricia contacts Raúl, Patricia’s former love interest and Víctor’s father, to ask him that he or a friends of him threat seriously Charlie. But when is discovered that Víctor made a false identification, Patricia tries to stop Raúl, starting a chain of events which consequences will be out of control…

In a fragile relationship, a husband wants to impress upon his pregnant wife his seriousness in being a good father, so he whisks her away on a babymoon travel holiday to the most exotic, beautiful, Instagram -able, country imaginable, which unbeknownst to him is experiencing a political revolution!

Ex-con attempting to go straight runs across serious problems. His girlfriend gets arrested for dealing crack to an undercover police officer. In a desperate attempt to get the charges dropped against his woman, he strikes deal with weapons cop to turn in local gun dealers. How ever, the D.A. is not satisfied with the results, resulting in some serious game playing and double crossing.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.

July of 1916 was a time of record heat, a polio epidemic, and a World War in Europe. But beachgoers in New Jersey are threatened by a even greater terror: a shark that has suddenly developed a taste for human flesh. Starting July 1st and lasting over a period of 12 days, the unidentified shark kills four people and seriously injures a fifth before the attacks stop, and threatens New Jersey’s thriving tourist industry. Based on true events, and one of the inspirations behind Peter Benchley’s Jaws.

Last movie of Zero Woman Series! The serious crime unit of police will do anything to conclude a case, even kill people. Few people in the unit know the truth. The only woman in the unit, named Zero, who is a tragic figure. She has neither records nor identities in the society. A serial murder of important persons in political and financial fields occurs. Victims are killed after similar temptations. Another police unit, Hayami, often sees Zero’s shadow while he is investigating the crime. In the meantime, Yuki, a killer who with hatred heart to do crazy killings and made the innocent more complicated.

Anoosh and Arash are at the center of Tehran’s underground techno scene. Tired of hiding from the police and their stagnating career, they organize one last manic techno rave under dangerous circumstances in the desert. Back in Tehran they try their luck selling their illegally printed music album without permission. When Anoosh is arrested, there seems to be no hope left. But then they receive a phone call from the biggest techno festival in the world. Once landed in Switzerland, the haze of the instant euphoria evaporates quickly when the seriousness of the situation starts to dawn on them.

Among serial killers, Israel Keyes is an enigma. When police picked him up in Texas in March of 2012, it was for the murder of 18-year-old Samantha Koenig, whom he had brazenly kidnapped from a coffee stand in Anchorage, Alaska. Once in custody, however, he confessed to other murders and bank robberies and alluded to many more crimes. He ultimately claimed to have killed up to 11 victims between 2001 and 2012, but couldn’t – or wouldn’t – tell the authorities exactly when and where. He told them enough, however, for them to take him seriously. Then, in December 2012, after nine months in custody, he killed himself, taking his secrets with him to the grave.

97% owned present serious research and verifiable evidence on our economic and financial system. This is the first documentary to tackle this issue from a UK-perspective and explains the inner workings of Central Banks and the Money creation process. When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked, questions like; where does money come from? Who creates it? Who decides how it gets used? And what does this mean for the millions of ordinary people who suffer when the monetary, and financial system, breaks down? Produced by Queuepolitely and featuring Ben Dyson of Positive Money, Josh Ryan-Collins of The New Economics Foundation, Ann Pettifor, the “HBOS Whistleblower” Paul Moore, Simon Dixon of Bank to the Future and Nick Dearden from the Jubliee Debt Campaign.

Santi, a young high-school student with a serious physical reaction to sunlight, is forced by his health to move with his single mother to a shadowy, isolated village in the mountains of Spain where the inhabitants begin to reveal themselves as strangely xenophobic. When terrible, violent events begin to occur, Santi becomes first a pariah at school and then strongly suspected by the police of hideous murders. Santi himself, however, wonders if he is not the next victim.

The lives of three people intersect on a late bus ride that’s hijacked by a suicidal political flunky. Shingo is a miserable young desk cop bucking for homicide division. Tetsu is a restroom cleaning attendant who has a mentally ill father and a penchant for mischief. And Saki is a petulant druggist/chemist who was born without an eye and keeps her disfigurement hidden behind shades. Months after the hijacking, the trio lives re-intertwine as they playfully seek revenge for their unhappy lives, until the games become deadly serious.

Marcel Marx, a former bohemian and struggling author, has given up his literary ambitions and relocated to the port city Le Havre. He leads a simple life based around his wife Arletty, his favourite bar and his not too profitable profession as a shoeshiner. As Arletty suddenly becomes seriously ill, Marcel’s path crosses with an underage illegal immigrant from Africa, who needs Marcel’s help to hide from the police.

After new CIA recruit, Kelley Chandler (Polish) is seriously injured during a mission, surviving only on life support, his wife Tess (Agron), a former CIA operative, becomes determined to find out what happened to her husband. As the details of Kelley’s last mission unravel, showing that his accident was an inside job, Tess puts everything on the line to keep Kelley out of harm’s way, even if that comes with dangerous consequences.